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Growing up and finding your place in the adult world is tough, and many of the adolescent romances depicted in British films tell often painfully-learned life lessons.

To be young and in love in British cinema is to have your hopes and dreams stripped bare. When Salford born Shelagh Delaney put pen to paper to write her first play, which she completed in just ten days, little could she have imagined both the impact it would have on theatre audiences and the lasting influence the big screen adaptation would have on British cinema.

Cut from different cloth, Dot and Reggie spend much of the film at each other’s throats, with the shadow of infidelity cast over both parties.

Adapted and toned down for the screen from her own 1961 novel of the same name by Gillian Freeman, The Leather Boys was still considered bold and provocative owing to its portrayal of the deep friendship that grows between Reggie and gay biker Pete (Dudley Sutton).

As brief as Jo and Jimmy’s interracial relationship may have been, its onscreen depiction was progressive for the time, as was the representation of Jo’s close friendship with Geoffrey.

Jo’s fleeting experience of young love is anything but a dream come true, but it is life-changing.

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For a few years in the early 60s, Rita Tushingham was the go-to girl for playing teenagers grappling with the ups and downs of their first serious love affairs.

Following her multiple award-winning performance as Jo in A Taste of Honey, Tushingham played Karen in Girl With Green Eyes (1963), who sees her relationship with an older man fall apart. Furie’s The Leather Boys, her marriage to teenage biker Reggie (Colin Campbell) is a fractious, unfulfilling union.

Critically acclaimed at the time and the first of Skolimowski’s numerous British productions, this sexy, dark and uncomfortable tale of young love sees 15-year-old school leaver Mike (John Moulder Brown) fall under the seductive spell of his older co-worker Susan (Jane Asher).